Fl Studio Mixing And Mastering
. First off this is not a production tutorial. If you are on this page, I am assuming that you already understand how to make trap beats. This is NOT going to teach you mixing fundamentals. Even though this tutorial is designed for beginners and intermediates a like, you must understand the basics of mixing (ie.
Compression, EQ reverb etc.). This is NOT an exact mixing blueprint that can be copied verbatim into your own trap beats. The simple reason is that mixing blueprints do not exist. Every situation is going to be different and will require you to assess the situation accordingly.But if you get through this entire post, I can promise you that you are going to walk away with a better understanding of how to set yourself up for success and ultimately have better sounding trap beats.You’ll be better organized, more prepared, and your trap beats will sound much more professional then they ever have.So let’s get into it. Organizing Your FL Studio SessionsThe first section of this tutorial is going to deal with the organization.I can’t stress enough just how important this section is.It’s so important that I had to break it down into four different sub-sections.If you think this part is boring (it is) and you decide to skip it, everything else is going to fall apart.The organization is a kin to the psychological aspect of mixing - the more organized you are, the more creative you will be.You’ll notice drastic improvements in your mixes over a short period if you stay disciplined, and you organize your sessions. Organization #1 - Removing the FL LimiterWhen you first start up FL Studio, it’s going to come preloaded with the on the Master Bus.There are ways to create templates to avoid this but for this article, let’s just pretend they don’t exist.Personally, I don’t like the sound of the FL Limiter.
I think it sounds restrictive, and at best it sounds “pumpy”If you have a ton of experience with compression on the master bus, then go ahead and leave it on.If you’re still learning - just trust me.Try it my way for a bit.If my way doesn’t sound better, then you can go back doing it your way.Also, a lot of producers like to peg their meters in FL Studio, and we want to avoid that.The FL Limiter prolongs the point when distortion occurs, and your ear gets used to the over compressed and squashed sound.So my preference is always to start with nothing on the master bus. Let’s use our ears and our balancing skills to make things sound better!So here’s what you need to do.
Mastering Beats In Fl Studio
Cool TI P:I am looper at heart. What I mean is, I like to loop sections of the beat when I’m working on it so that I can balance those parts. It’s much more efficient that way.
Fl Studio Mixing Tutorial
With the markers set up this way in FL Studio, you can now click on each marker, and it will automatically set up loop parameters for you, making it super fast and easy to loop whatever section you want. All you have to do is push CTRL and then click on the label and BOOM!Done.Let’s continue. Organization #4 - The MixerAfter the playlist is organized, color coded and rearranged, I like to arrange and color code the mixer so that it complements the playlist.Why?Again, this goes back to working inside of other DAWs like Pro Tools.The only difference is that Pro Tools will do this automatically for you and in FL Studio you have to do it manually.Even though you have to do this manually, it’s not too complicated.With just a few clicks you can get everything into the mixer, colored coded and in order. AutomationAutomation is where your trap beat comes to life.If you aren’t familiar with automation and have never used it before, just take a day and listen to some EDM music.The automation used in that genre is super noticeable but at the same time, it’s very tastefully done and works well.You don’t have to use the same obvious automation tactics in your trap beats.The idea is to hear the automation and figure out why they are using it.How did it make you feel? Elated?These are all feelings that you want to pull out of the listener when using automation.Use it to your advantage to draw the listener in and make it a more enjoyable listening experience for them.They’ll walk away loving the beat, but they won’t know exactly why.With that said, I try to get away with using as little as I can, because I would rather use the production and arrangement phase to “play” in the dynamics.
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